College Art Association and the Alaska State Council on the Arts

Anchorage, AK. 2008
Collaboration as an Artistic Practice Workshop

Oral History Association Annual Meeting: 
A Convergence of Interests: Oral History in the Digital Age. 2008
Presented the paper: Trappings: A Multi-Media Interview-Based Artwork That Explores Power and Identity.

New York University
New York, NY. 2007
Engaging New Audiences in Art and Feminist Dialogue, International Symposium on the Arts in Society

Panel Presentation, Moore College of Art
Philadelphia, PA. 2005
Brian Wallace invited Two Girls Working to be a part of the panel Public Discussion on Community-based Art Projects.

Santa Fe Art Institute "Clothesline 05, Artist Lecture & Workshop Series"
Santa Fe, NM. 2005
Two Girls Working will kick off a week long workshop conducted with Martha Wilson with a public lecture about Trappings.

College Art Association's 92nd Annual Conference
Seattle WA. 2004
Panelist to co-present the paper "Trappings: Stories of Women, Power and Clothing" at the Third Waves: Contemporary Feminism/Contemporary Art panel for Two Girls Working.

Feminism and Social Action Conference
New Paltz NY. 2003
Co-present a workshop presentation during the conference at SUNY New Platz, for Two Girls Working.

Preserving the Immaterial:  A Conference on Variable Media, Guggenheim Museum
New York NY. 2001
A respondent on the "Performative Artworks" panel at the public conference. Attended two daylong workshops to discuss the issues of impermanence in archival practice on Performance Art and Networked Art.

New York, NY. 1999
Selected participant. 200 emerging artists nominated by accomplished artists to participate in a one-day conference sponsored by the Downtown Arts Project. Participating artists were chosen for being under 30 and having produced a significant body of work.

NAAO Co-Generate Project
New York, NY. 1999
Invited participant in the New York Region Conference. A one-day think tank of arts administrators under thirty. Fellow participants included representation from the Whitney Museum of American Art, the Center for Photography at Woodstock, the Bronx Council of the Arts, Creative Capital, the Noguchi Museum, and Real Art Ways.